James Webb

Threnody 03’20’’ 2016 Courtesy the artist, blank projects, and Galerie Imane Farès In Threnody, Paul McCartney’s vocal take for the song “Helter Skelter“ (The Beatles, 1968) was isolated and then reversed so as to create a backwards speech adrift from

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James Webb

Threnody 03’20’’ 2016 Courtesy the artist, blank projects, and Galerie Imane Farès In Threnody, Paul McCartney’s vocal take for the song “Helter Skelter“ (The Beatles, 1968) was isolated and then reversed so as to create a backwards speech adrift from

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Atau Tanaka / Per Hüttner / Samon Takahashi

Monitorn with Per Hüttner and Samon Takahashi 10’04 2020 Monitorn is a physiological improvisation by Tanaka, Takahashi & Hüttner playing brain waves by EEG, muscle tension by EMG, voice, and electronic sounds. Machinic and corporeal pulses give way to effort and electromagnetic

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Atau Tanaka / Per Hüttner / Samon Takahashi

Monitorn with Per Hüttner and Samon Takahashi 10’04 2020 Monitorn is a physiological improvisation by Tanaka, Takahashi & Hüttner playing brain waves by EEG, muscle tension by EMG, voice, and electronic sounds. Machinic and corporeal pulses give way to effort and electromagnetic

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Marcos Lutyens

The Space of Molten Eyes 10′ 2019 This inductive audio invites listeners to access a state of mind relating to distributed consciousness. Through mental processes, the ego dissolves away, to be replaced by the multifaceted perspective of all things. This

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Marcos Lutyens

The Space of Molten Eyes 10′ 2019 This inductive audio invites listeners to access a state of mind relating to distributed consciousness. Through mental processes, the ego dissolves away, to be replaced by the multifaceted perspective of all things. This

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Lorena Mal

Dis/appear 2′ 2015 ‘There is a presence in what is missing’ H.J. How to listen during politically violent realities? Dis/appear is a soundwork that attempts to open a space of possibility and critical affect to approach uncertainty and loss. It

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Lorena Mal

Dis/appear 2′ 2015 ‘There is a presence in what is missing’ H.J. How to listen during politically violent realities? Dis/appear is a soundwork that attempts to open a space of possibility and critical affect to approach uncertainty and loss. It

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Zuriñe F Gerenabarrena

BihotzBi 4’51” Superposition of layers, extension of phonographic memories that sway in howls of a second, covering the 4 rooms where life wakes up every day. “BihotzBi” is the title formed by the union of the two words in Basque

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Zuriñe F Gerenabarrena

BihotzBi 4’51” Superposition of layers, extension of phonographic memories that sway in howls of a second, covering the 4 rooms where life wakes up every day. “BihotzBi” is the title formed by the union of the two words in Basque

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Mia Thom

Here! Your Golden Scarab Excerpt of 10′ (from the original track of 23’) 2019 A prophetic song, a pendulum that splits a deck of cards, a book with an inscription, a priest with clear instructions, a family heirloom, a night like

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Mia Thom

Here! Your Golden Scarab Excerpt of 10′ (from the original track of 23’) 2019 A prophetic song, a pendulum that splits a deck of cards, a book with an inscription, a priest with clear instructions, a family heirloom, a night like

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Anton Kats

Radio Amateur Ensemble music ensemble / music scores / listening space Artist Residency with Goethe Pop Up Minneapolis Skyway System, Minneapolis, USA Curated by Sandra Teitge Radio Amateur Ensemble explores Minneapolis’s ham radio enthusiast community, taking the sonic, social and

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Anton Kats

Radio Amateur Ensemble music ensemble / music scores / listening space Artist Residency with Goethe Pop Up Minneapolis Skyway System, Minneapolis, USA Curated by Sandra Teitge Radio Amateur Ensemble explores Minneapolis’s ham radio enthusiast community, taking the sonic, social and

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Islands Songs (Nicolas Perret & Silvia Ploner)

The Forest Within – Within the Forest Excerpt of 10′ (from the original track of 39′) 2019 Andrea Nicolò, 2019 Autoproduction, originally commissioned by Deutschlandfunk Kultur for Klangkunst Text: César E. Giraldo Herrera, Islands Songs Voices: Lucrecia Dalt, César E.

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Islands Songs (Nicolas Perret & Silvia Ploner)

The Forest Within – Within the Forest Excerpt of 10′ (from the original track of 39′) 2019 Andrea Nicolò, 2019 Autoproduction, originally commissioned by Deutschlandfunk Kultur for Klangkunst Text: César E. Giraldo Herrera, Islands Songs Voices: Lucrecia Dalt, César E.

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Enrico Boccioletti

Variazione: Intraducibile (Daisyworld III) 25′ 2018 Enrico Boccioletti, Variazione: Intraducibile (Daisyworld III), 2018 Performative environment at Villa Farinacci, Rome in “Spettri”, 22-30 September 2018 Courtesy the artist and Fondazione MAXXI, Rome. Photo: Luca Dammicco Performative environment, scripted pièce for four computer-generated voices

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Enrico Boccioletti

Variazione: Intraducibile (Daisyworld III) 25′ 2018 Enrico Boccioletti, Variazione: Intraducibile (Daisyworld III), 2018 Performative environment at Villa Farinacci, Rome in “Spettri”, 22-30 September 2018 Courtesy the artist and Fondazione MAXXI, Rome. Photo: Luca Dammicco Performative environment, scripted pièce for four computer-generated voices

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Michael Baers

The Past is an Arrow into the Future Excerpt of 10′ (from the original track of 65′) The Past is an Arrow into the Future, the last ten minutes of a 65-minute monologue piece. Set in the spring of 1933,

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Michael Baers

The Past is an Arrow into the Future Excerpt of 10′ (from the original track of 65′) The Past is an Arrow into the Future, the last ten minutes of a 65-minute monologue piece. Set in the spring of 1933,

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