Vivienne Griffin
The Agony 12’31” 2018 Griffin makes sculptures, drawings and audio works in her antidisciplinary practice. She collaborates with artists/non-artists using text, the voice, noise, extended vocal techniques and objects to look into various themes including hyperindividualism, aggressive spirituality and the self-help phenomenon. This
Vivienne Griffin
The Agony 12’31” 2018 Griffin makes sculptures, drawings and audio works in her antidisciplinary practice. She collaborates with artists/non-artists using text, the voice, noise, extended vocal techniques and objects to look into various themes including hyperindividualism, aggressive spirituality and the self-help phenomenon. This
Amandine Casadamont and Alexandre Plank
Welcome to Nay Pyi Taw 10’12” 2018 Nay Pyi Taw is the new capital of Myanmar, replacing it as the new capital of Burma. It is located 320 km north of Yangon and was built from scratch and in the
Amandine Casadamont and Alexandre Plank
Welcome to Nay Pyi Taw 10’12” 2018 Nay Pyi Taw is the new capital of Myanmar, replacing it as the new capital of Burma. It is located 320 km north of Yangon and was built from scratch and in the
Ludovica Carbotta
Falsetto 11’30” 2017 featuring Giulio Pignatta, voice Bridget Mullen ph. Werner Mantz Lab, Van Eyck The project Falsetto, linked to my research around the notion of human isolation in relationship with the environment of contemporary cities. It is inspired by two
Ludovica Carbotta
Falsetto 11’30” 2017 featuring Giulio Pignatta, voice Bridget Mullen ph. Werner Mantz Lab, Van Eyck The project Falsetto, linked to my research around the notion of human isolation in relationship with the environment of contemporary cities. It is inspired by two
Meriç Algün Ringborg
Metatext 13’13’’ 2013 The thirteen-minute audio narrative Metatext, 2013 is complied by sample sentences found in the Oxford English Dictionary and voiced by a fictitious author, who only writes with this constrained method. The piece concerns the role of language in the
Meriç Algün Ringborg
Metatext 13’13’’ 2013 The thirteen-minute audio narrative Metatext, 2013 is complied by sample sentences found in the Oxford English Dictionary and voiced by a fictitious author, who only writes with this constrained method. The piece concerns the role of language in the
Tulpamancers
The Crypts of Curelom (Edit) 9’52” 2018 The Crypts of Curelom (Edit) is a slice of the fear-mongering, guilt, despair, wonder and head-scratching events many outsiders my age felt as a kid in 1980s Utah, USA (and other small places with
Tulpamancers
The Crypts of Curelom (Edit) 9’52” 2018 The Crypts of Curelom (Edit) is a slice of the fear-mongering, guilt, despair, wonder and head-scratching events many outsiders my age felt as a kid in 1980s Utah, USA (and other small places with
PopX
I boschi di Trenx 8’47” 2013 Audio racconto di un’esperienza allucinante in cui si incrociano mondi lontanissimi, il genocidio di Srebrenica (Bosnia Ed Erzegovina), campo di Trens, un paese in provincia di Bolzano, il lago di Tenno, in Trentino, a
Mariateresa Sartori
Domande teste calve che custodiscono il suono della voce materna 8’39” 2016 Selezione di frasi interrogative pronunciate da Ingrid Bergman doppiata dalla voce di Lydia Simoneschi intervallate da lunghi silenzi e lievi rumori di interni casalinghi. Il sottotitolo Teste calve custodiscono il
Mariateresa Sartori
Domande teste calve che custodiscono il suono della voce materna 8’39” 2016 Selezione di frasi interrogative pronunciate da Ingrid Bergman doppiata dalla voce di Lydia Simoneschi intervallate da lunghi silenzi e lievi rumori di interni casalinghi. Il sottotitolo Teste calve custodiscono il
Ayreen Anastas and Rene Gabri
Dieci Appunti sul Disfare dell’Arte (nell’epoca di guerra civile e di un fascismo post-fascista) 6’50” 2017
Ayreen Anastas and Rene Gabri
Dieci Appunti sul Disfare dell’Arte (nell’epoca di guerra civile e di un fascismo post-fascista) 6’50” 2017
James Webb
Mixed Signals Live performance by James Webb The War Of The Worlds Stereo, 47’53” 2017 A group of anonymous ear-witnesses recount their individual experiences of what happened on the night the voice on the radio announced the end of days.
James Webb
Mixed Signals Live performance by James Webb The War Of The Worlds Stereo, 47’53” 2017 A group of anonymous ear-witnesses recount their individual experiences of what happened on the night the voice on the radio announced the end of days.