James Webb
Threnody 03’20’’ 2016 Courtesy the artist, blank projects, and Galerie Imane Farès In Threnody, Paul McCartney’s vocal take for the song “Helter Skelter“ (The Beatles, 1968) was isolated and then reversed so as to create a backwards speech adrift from
James Webb
Threnody 03’20’’ 2016 Courtesy the artist, blank projects, and Galerie Imane Farès In Threnody, Paul McCartney’s vocal take for the song “Helter Skelter“ (The Beatles, 1968) was isolated and then reversed so as to create a backwards speech adrift from
Atau Tanaka / Per Hüttner / Samon Takahashi
Monitorn with Per Hüttner and Samon Takahashi 10’04 2020 Monitorn is a physiological improvisation by Tanaka, Takahashi & Hüttner playing brain waves by EEG, muscle tension by EMG, voice, and electronic sounds. Machinic and corporeal pulses give way to effort and electromagnetic
Atau Tanaka / Per Hüttner / Samon Takahashi
Monitorn with Per Hüttner and Samon Takahashi 10’04 2020 Monitorn is a physiological improvisation by Tanaka, Takahashi & Hüttner playing brain waves by EEG, muscle tension by EMG, voice, and electronic sounds. Machinic and corporeal pulses give way to effort and electromagnetic
Marcos Lutyens
The Space of Molten Eyes 10′ 2019 This inductive audio invites listeners to access a state of mind relating to distributed consciousness. Through mental processes, the ego dissolves away, to be replaced by the multifaceted perspective of all things. This
Marcos Lutyens
The Space of Molten Eyes 10′ 2019 This inductive audio invites listeners to access a state of mind relating to distributed consciousness. Through mental processes, the ego dissolves away, to be replaced by the multifaceted perspective of all things. This
Lorena Mal
Dis/appear 2′ 2015 ‘There is a presence in what is missing’ H.J. How to listen during politically violent realities? Dis/appear is a soundwork that attempts to open a space of possibility and critical affect to approach uncertainty and loss. It
Lorena Mal
Dis/appear 2′ 2015 ‘There is a presence in what is missing’ H.J. How to listen during politically violent realities? Dis/appear is a soundwork that attempts to open a space of possibility and critical affect to approach uncertainty and loss. It
Zuriñe F Gerenabarrena
BihotzBi 4’51” Superposition of layers, extension of phonographic memories that sway in howls of a second, covering the 4 rooms where life wakes up every day. “BihotzBi” is the title formed by the union of the two words in Basque
Zuriñe F Gerenabarrena
BihotzBi 4’51” Superposition of layers, extension of phonographic memories that sway in howls of a second, covering the 4 rooms where life wakes up every day. “BihotzBi” is the title formed by the union of the two words in Basque
Mia Thom
Here! Your Golden Scarab Excerpt of 10′ (from the original track of 23’) 2019 A prophetic song, a pendulum that splits a deck of cards, a book with an inscription, a priest with clear instructions, a family heirloom, a night like
Anton Kats
Radio Amateur Ensemble music ensemble / music scores / listening space Artist Residency with Goethe Pop Up Minneapolis Skyway System, Minneapolis, USA Curated by Sandra Teitge Radio Amateur Ensemble explores Minneapolis’s ham radio enthusiast community, taking the sonic, social and
Anton Kats
Radio Amateur Ensemble music ensemble / music scores / listening space Artist Residency with Goethe Pop Up Minneapolis Skyway System, Minneapolis, USA Curated by Sandra Teitge Radio Amateur Ensemble explores Minneapolis’s ham radio enthusiast community, taking the sonic, social and
Islands Songs (Nicolas Perret & Silvia Ploner)
The Forest Within – Within the Forest Excerpt of 10′ (from the original track of 39′) 2019 Andrea Nicolò, 2019 Autoproduction, originally commissioned by Deutschlandfunk Kultur for Klangkunst Text: César E. Giraldo Herrera, Islands Songs Voices: Lucrecia Dalt, César E.
Islands Songs (Nicolas Perret & Silvia Ploner)
The Forest Within – Within the Forest Excerpt of 10′ (from the original track of 39′) 2019 Andrea Nicolò, 2019 Autoproduction, originally commissioned by Deutschlandfunk Kultur for Klangkunst Text: César E. Giraldo Herrera, Islands Songs Voices: Lucrecia Dalt, César E.
Enrico Boccioletti
Variazione: Intraducibile (Daisyworld III) 25′ 2018 Enrico Boccioletti, Variazione: Intraducibile (Daisyworld III), 2018 Performative environment at Villa Farinacci, Rome in “Spettri”, 22-30 September 2018 Courtesy the artist and Fondazione MAXXI, Rome. Photo: Luca Dammicco Performative environment, scripted pièce for four computer-generated voices
Enrico Boccioletti
Variazione: Intraducibile (Daisyworld III) 25′ 2018 Enrico Boccioletti, Variazione: Intraducibile (Daisyworld III), 2018 Performative environment at Villa Farinacci, Rome in “Spettri”, 22-30 September 2018 Courtesy the artist and Fondazione MAXXI, Rome. Photo: Luca Dammicco Performative environment, scripted pièce for four computer-generated voices
Michael Baers
The Past is an Arrow into the Future Excerpt of 10′ (from the original track of 65′) The Past is an Arrow into the Future, the last ten minutes of a 65-minute monologue piece. Set in the spring of 1933,
Michael Baers
The Past is an Arrow into the Future Excerpt of 10′ (from the original track of 65′) The Past is an Arrow into the Future, the last ten minutes of a 65-minute monologue piece. Set in the spring of 1933,