2016

Nana April Jun

High and Low and Mid Plane Mass II 10′.20” – recorded in London, 2016

/

Nana April Jun

High and Low and Mid Plane Mass II 10′.20” – recorded in London, 2016

/

Stefano D’Alessio

Giudecca 6’48” 2014

/

Stefano D’Alessio

Giudecca 6’48” 2014

/

Cecilia Borettaz

Agostino 3’33” (2015) Lorenzo 3’50” (2016) Carmen 2’20” (2016) Saide 3’30” (2016)

/

Cecilia Borettaz

Agostino 3’33” (2015) Lorenzo 3’50” (2016) Carmen 2’20” (2016) Saide 3’30” (2016)

/

Stefano Faoro

oh… finally alone 10’59” – 2016 in collaboration with Pietro Faoro

/

Stefano Faoro

oh… finally alone 10’59” – 2016 in collaboration with Pietro Faoro

/

Roberto Fassone

Take me down to paradise city 3’12” – 2016

/

Roberto Fassone

Take me down to paradise city 3’12” – 2016

/

Lucia Farinati

1717 dedicated to Zambanella – a sonic Sabbath Lucia Farinati (Sound Threshold) in collaboration with Richard Crow

/

Lucia Farinati

1717 dedicated to Zambanella – a sonic Sabbath Lucia Farinati (Sound Threshold) in collaboration with Richard Crow

/

Francesco Fonassi

six studies on a mediated land 11’26” – 2014

/

Francesco Fonassi

six studies on a mediated land 11’26” – 2014

/

Petri Kuljuntausta

At Helicotrema Petri Kuljuntausta will perform all the works that the festival has commissioned from him since 2012. With the help of live-electronic devices he will create revisited versions of the works. On stage Kuljuntausta will also create a new

/

Petri Kuljuntausta

At Helicotrema Petri Kuljuntausta will perform all the works that the festival has commissioned from him since 2012. With the help of live-electronic devices he will create revisited versions of the works. On stage Kuljuntausta will also create a new

/

Rabih Mroué

Coffee Without Sugar 6’34’’  –  2016

/

Rabih Mroué

Coffee Without Sugar 6’34’’  –  2016

/

Antoni Muntadas

Stadium, 1988, except of 8′ from an original composition of 30′ The stadium of the 80’s asserts its prominence in our cityscape as contemporary landmark, a ubiquitous monument to the urban western world. Proclaimed by the industry as the new

/

Antoni Muntadas

Stadium, 1988, except of 8′ from an original composition of 30′ The stadium of the 80’s asserts its prominence in our cityscape as contemporary landmark, a ubiquitous monument to the urban western world. Proclaimed by the industry as the new

/